Friday, February 12, 2021

Double Reversible Bracelets (and an unreasonable cantilever)

Of course, I can't stop beading. It's like breathing, anymore. But it's been a busy week in other ways. I've been interviewing for a job, first by phone, then a one-way recorded interview with a platform called Spark Hire, and finally, an in-person chat, and then... I got the job! (Once I'm sure I've passed orientation next week, I'll share more on that later.) But in between writing a resume (I hadn't needed one of those in years) and the recent drug test (ditto!), I have managed to knock out a few "halves" of bracelets. 

You see, when I make Double Reversible Bracelets, I finish the first pass all the way down the bracelet, to set its size and overall structure, by making the equivalent of an 8-strand bracelet. The size sometimes can't be controlled on the first draft of a bracelet. Each one I make is different, and when I start creating repeats, the whole thing needs to end at a pattern break, so that the pattern repeats are whole. I can stop after any pattern sequence I want, so if I don't feel that the bracelet will be quite long enough, I need to add a whole additional pattern, or "medallion", as I sometimes call it. Now, when I have to attempt a custom-sized bracelet to fulfill a request, based on one I already made, I can plan in a tiny sequence between each repeated design (if the bracelet needs to be larger), or remove some element in each pattern (if the new bracelet is going to be smaller). But it's not always the easiest thing to do, sizing something with accuracy. That's why I really like to make bracelets that don't have to be any particular size. I usually shoot for something that would fit my own wrist, in the event that I decide to keep it, or if it doesn't ultimately sell. But it's a good idea to have extra large or extra small ones for those occasional hard-to-fit customers. So here are the four bracelets where I left off, in their half-finished state.



It's always easiest when I leave 'holes' in the beading, so that the next pass has room for bead strands to weave in and out. Some of these patterns don't leave much room for that, so the end result will be quite tight. But that's sometimes a nice effect. I'll tie off the end strings to another sterling silver bracket before I start with the next pass. That one will be the equivalent of a 12-strand bracelet. If you look closely at the silver brackets at the right end of each bracelet, you'll see 3 holes or loops in each of them. Each loop will be an attachment point for a 4-strand row, but those strands will separate and shoot through whatever hole might allow it to cut through to the other side. Knots will hold the strands on one side, then some or all of the strands will work their way to the other side, where they are knotted again. The decisions of how these pieces proceed aren't made ahead of time. It's an organic process, and I usually go with how the bracelet 'wants to be made'.

When I hear people say something like that about their artwork, I always roll my eyes. In my art-making decisions, I take full responsibility, and I know well in advance what I'll be doing, so I find it hard to understand how someone might not know those things. How can you know when you're done, if you are groping your way along? It seems so willy-nilly. But, those feelings are probably something of a double standard, given that I stumble along an unclear path while beading. But as soon as I get to the end of the first repeat, the details are set for that layer, and I usually don't have anymore decisions to make about the bracelet for awhile.

When I get these bracelets finished, I'll show them to you again. I will scan both sides, as they can differ greatly from this stage. That's what makes them reversible. In the mean time, here are some finished Double Reversible Bracelets, with both sides showing for each one.

"Savoy"

"Saskia"

"Transform"

"Geo-Marca"

When both layers are interwoven, it becomes very difficult to differentiate which layer is which. That makes it even harder to repeat a bracelet, which is why I started scanning them at the end of the first stage. If that part is not repeated in some similar manner, there's no chance in getting a match on the bracelet. I always make a few changes, but the overall look can be repeated somewhat, in a new size, or with slightly different colors. (I take my "one-of-a-kind" claim seriously!) So check back next time, and you'll see how those first four bracelets have been transformed with their final additions.

Last time, I mentioned needing a studio, and hoping to come up with some plans in order to build such a structure. I really didn't have time to work up a new plan, but I remembered that I'd spent a lot of time making a studio plan a few years ago. It never got built, but I was really just fiddling around while I was learning the beginnings of AutoCAD. I was intrigued with what I'd previously created, but it isn't entirely practical at this point, now having moved to new circumstances. This version has a main level, and a stairway which leads to a loft that only covers about a third of the whole layout.



I don't foresee needing a sleeping space in my next studio plan, so this loft is probably a little unreasonable. Likewise with the small kitchen and bathroom, which even includes a tub. I could see having a toilet and just a utility sink for cleaning paint brushes and such. I have been ever so enamored with a cantilevered room though. Do you see how the loft bed sticks out past the wall at the top? That is the cantilevered part, which would hang out from the structure, seemingly unsupported. The trick is to have the floor joists running far enough into the room, well-anchored in several places. A wide board is necessary for that, like a 2x10? Maybe 2x8? (I'd consult a builder before making that kind of decision.) This plan only extends three feet, so that isn't all that risky. If I ever get the chance to design my own dream house, I would love to include a cantilever feature, but I have a feeling this particular plan may not be quite the right solution for my current studio needs. I still intend to work on a new layout for a more reasonable shed. I have plenty of time, since we are currently in the middle of a severe freeze, with lots of snow in the forecast. Ain't nobody gonna be building anything for awhile.

I'm having serious MCD symptoms today, and I think I will need to take something for it. Rather, I will need to make something for it! (LOL! Don't worry, it's just my 'multiple creativity disorder' flaring up.)! I'm thinking I'll find a temporary remedy in turning out some kind of Valentine dessert or decorated cookie tomorrow.  I'll be sure to report that to you, if it happens. (Sometimes I'm all talk!)

See ya soon!

Monday, February 1, 2021

Making Earrings and Missing My Studio

It's been awhile since I've done beadwork. After recently moving to another state, I hadn't yet unpacked some of my tools and parts. More accurately, I don't even know which box is which  (I was WAY too lax on labeling!), so I've been somewhat hindered. But I got a request for a custom pair of earrings, so I gathered as much as I could find, and was able to make them. I've showed some of my beadwork previously on this blog, but out of the dozens of bracelets created in the last couple of years, here are just a few of the newer ones. In order, these photos show two 8-Strand bracelets, two 12-Strand bracelets, and two 4-in-1 bracelets.


"Soiree"


"Punky"


"Greeley"


"Crayon"


"Cosette"


"Armada"


Somewhere along the way, I was asked why I didn't make earrings. I had thought about it, but I felt that the macrame style I use wasn't practical on such a short item. It would require the beginning and end of the piece to be finished off with a few knots, and a bracket or ring of some kind, in order to tie the threads off securely. After giving it more thought, I realized there's no reason why I couldn't accept the ring at the bottom as part of the design. I could always hang a dangle or charm from it, which would look fine. It would just require the earrings to be fairly long, in order to include the starting knots, and the ending knots, and enough of a beaded design in the middle to make it worthwhile. But, I accepted this design constraint, and proceeded to create earrings. I'm glad I did. They were turning out to be statement-sized earrings, and yet they were very lightweight for their size. The first pair I made was a little more colorful than my usual palette...


...followed by this next intricate pair. Again, they're large, but not that heavy.


And then I unraveled a triple stranded cord to get down to a single strand, which I worked into these earrings, resulting in a much more petite scale.


I don't mind tedious, but that was so fine, it hardly wanted to stay together. The knots tried to untie themselves each time after I'd tighten them, as I went along. Gah! Finally, after I made it to the bottom, I got the threads well-fastened and trimmed, so they will no longer come apart. I like the effect, but I probably won't be doing much of this small scale work.

This pair is one of my favorites, so much so, that I took them out of gallery inventory, and put them in my own jewelry box. I wear a lot of grey, and also that sour yellow color.


And now for the most recent work. This pair in the following picture sold within minutes of being set out for sale at the gallery. It's also what was recently requested, so the pair I just made looks a lot like them.  (I don't like to exactly repeat any of my work, so I make some changes each time.) I plan to make a lot more of this dangly style, which I think lends itself to a "beachy" look, with lots of shell, mother of pearl, turquoise, coral and such. 


I'm a little sad that I no longer have a studio in which to work. I'm currently set up on the dining room table, but we're trying to decide what to do about this. Some of my "office things" are still boxed, without room to unpack and spread out the contents. Some things are upstairs, and some of my boxes of art supplies are still unpacked, lodged firmly in the garage. I'm thinking a studio/shed in the backyard would solve my problems, since there's no room inside the house to sacrifice for a studio. I'll get it figured out, and since I really love building things, the thought of getting to design and construct a small studio is something I could get jazzed about! Oh yeah, I could build it myself!  Since I have a little knowledge of AutoCAD, I might have to start there. The next time I blog, there might be floorplans! Oooh, I just got goose bumps!